This article explores the complex legacy of Jewish music icon Peter Yarrow, who was convicted of sexually assaulting a 14-year-old girl. The author discusses the challenge of reconciling artists' abhorrent actions with their artistic legacy, drawing parallels to similar debates within the Jewish community. The article emphasizes the importance of prioritizing the victims of abuse and upholding Jewish values of justice, compassion, and truth. It suggests that organizations should not give abusers a 'pass' and should consider the costs and benefits of using music associated with perpetrators. The author concludes that it is premature to use the music of abusive composers in institutions and advocates for keeping the focus on those who have suffered.